November 26, 2015

Solo guitar recital in hcmf//2015. Works by Fox, Erber, Ferneyhough, Hoban and Harrison. The concert precedes the launch of the CD Shrouded Mirrors (with solo guitar works by Sergeant, Harrison, Finnissy, Dillon, Ferneyhough and Hoban) just released by Huddersfield Contemporary Records, to take place shortly after the concert.

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November 20/23, 2015

Performances with Ensemble Anomaly (alongside Alex Ward, guitar) in hcmf//2015: Derek Bailey’s realization of Stockhausen’s Plus-Minus for two guitarists and four electric guitars and world premieres of Bailey’s early series of solo guitar pieces.

Plus-Minus solo guitar pieces
November 17-23, 2015

World premiere of Pedro Alvarez: New Forms of Asymmetry (2015), for guitar and ensemble. Ensemble Interface UK-tour: Manchester, Leeds, London and Huddersfield.

more details on the tour hcmf
November 9-11, 2015

Paper/performance in DARE 2015 (Dark Precursor: International Conference on Deleuze and Artistic Research) on Aaron Cassidy’s The Pleats of Matter, alongside the composer.

conference programme
October 20, 2015

Guest seminar in the Contemporary Music Research Centre at the University of York. Rymer Auditorium, 4pm.

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July 10, 2015

Performance at Sirga Festival in Flix – Catalunya, alongside clapTON ensemble. Works by James Dillon and Rebecca Saunders among others.

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June 4, 2015

Recital in Durham-KLANG. Works by Finnissy, Jones, McLaughlin, Bryntessen, Manca, Egan, Codina, Warren and Donatoni. Durham University Music Department, Concert Room. 1 pm.

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May 22, 2015

Concert in Estonia alongside Clapton Ensemble. Works by Saunders, Billone, Masing and Vesik.

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April 23, 2015

Lecture-recital on Ferneyhough’s Kurze Schatten II at the School of Music of University of Leeds.

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6 March, 2015
Durham University

Recital (works by Narváez,  Ferneyhough, Dillon and Harrison),  talk and workshop with MA Composition students at Music Department, Durham University.


25-26 February, 2015
Orpheus Institute, Ghent

Paper presentation and performance at ORCIM Seminar: THE MAKING OF MUSICAL TIME: Temporality in Musical Composition and Performance.


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20 February, 2015
19:30 pm
Phipps Hall, Creative Arts Building, University of Huddersfield

World premiere of The Pleats of Matter for solo guitar by Aaron Cassidy.

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21 January, 2015
18:30 pm
Room ANTR 001, Artaud Building, Brunel University UB8 3PH

Performances of solo works by Micheal Finnissy, Marc Codina, Brian Ferneyhough, Scott McLaughlin, James Dillon and Christopher Fox.

24 October, 2014
12:20 pm
St. Pauls Hall, Huddersfield

Performances of solo works by Micheal Finnissy, James Dillon and Matt Sergeant at HCMF.

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20 June, 2014
17:00 pm
St. John’s College Chapel, South Bailey, Durham

Diego will be performing at Durham KLANG festival alongside Peyee Chen (voice) and Alba Bru (flute) trios by Finnissy and Saariajo besides Berio’s sequenzas for voice, flute and guitar respectively.

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 21 June, 2014
17:00 pm
 University Music School, Palace Green, Durham

Diego will feature a new version of Baldwin/Castro/Sor a kind of nostalgia alongside Michael Baldwin at Durham KLANG festival.

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10 June, 2014
19:30 pm
 Hundred Years Gallery in Hoxton, London.

Diego will be performing Rebecca Saunders Molly’s Song 3 – Shades of Crimson (1996) alongside the new clapTON ensemble.

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17 March, 2014
19:30 PM
St Paul’s Hall, University of Huddersfield
‘Contemporary Music for Guitar’

Featuring works by established contemporary composers alongside works by Huddersfield staff and postgraduate students.

Matthew Sergeant: bet maryam (2011)

Marc Codina: Frame, for guitar (2013) world premiere

Brian Ferneyhough: Kurze Schatten II (1983-9)

Michael Baldwin: “I have forgotten my umbrella” (2013) world premiere


Horatiu Radulescu: Subcounscious Wave, for guitar and digital sound (1985)

Aaron Einbond: Silent Screen, for steel string guitar and live electronics (2011)

Scott McLaughlin: A string vibrates in two directions (2013) world premiere

Bryn Harrison: MCE (2010)

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  3 October, 2013
  1:15 PM
  St Paul’s Hall
  University of Huddersfield
  Guitar Recital

 Featuring transcriptions and original works for guitar from different aesthetics and historic periods, which could be linked   by the idea of strife for continuity within a complex framework.


Luys de Narvaez: Seys Diferencias sobre el himno “O Gloriosa Domina” (1538)

James Dillon: Shrouded Mirrors (1987)

J.S.Bach: Fugue BWV 997 (1740) arr. Tilman Hoppstock

Cristopher Fox: Chile (1990)

Isaac Albéniz: El Albaicín from Iberia (1908) arr. Carles Trepat

Gabriele Manca: Convulsive Space (2002)

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