Divergence Press
University of Huddersfield Press

Castro Magas (2017), Parametric Polyphony in Recent Guitar Music

see article
PhD Thesis
University of Huddersfield

Castro Magas (2016), Body, Mimesis and Image: a Gesture-Based Approach to Interpretation in Contemporary Guitar Performing Practice

see thesis
TEMPO
70 (278) 16–28 © 2016 Cambridge University Press

Castro Magas (2016), GESTURE, MIMESIS AND IMAGE: ADORNO, BENJAMIN AND THE GUITAR MUSIC OF BRIAN FERNEYHOUGH

see article
CeReNeM Journal
Issue 4: March, 2014

Castro Magas (2014, pp. 47-66) Brian Ferneyhough’s Kurze Schatten II: towards an ‘auratic’ model of performance practice

see article